It is so overcrowded at places that one might question the museum’s respect for the art it contains, if we didn’t know how assiduously museum staff worked to add San Francisco as a venue at the last minute (along with the Museum of Fine Arts, Houston), after some quick-footed schedule shuffling. Soul of a Nation: Art in the Age of Black Power shines a bright light on the vital contribution of Black artists to an important period in American history and art. The de Young presentation of “Soul of a Nation” does suffer from a serious flaw. Every Saturday, from February 15 through March 14, Bay Area residents receive discounted admission to Soul of a Nation for only $10. Soul of a Nation: Art in the Age of Black Power Featuring substantial essays from Mark Godfrey and Zoe Whitley, the catalogue explores the art-historical and social contexts with subjects ranging from black feminism, AfriCOBRA and other artist-run groups to the role of museums in the debates of the period and visual art’s relation to the Black Arts Movement. Soul of a Nation: Art in the Age of Black Power 1963-1983 shines a bright light on the vital contribution of Black artists made over two decades, beginning in 1963 at the height of the civil rights movement. There is one more week to see Soul of a Nation: Art in the Age of Black Power, 1963-1983, at the de Young Museum, Golden Gate Park, San Francisco. There is one more week to see Soul of a Nation: Art in the Age of Black Power, 1963-1983, at the de Young Museum, Golden Gate Park, San Francisco. There is one more week to see Soul of a Nation: Art in the Age of Black Power, 1963-1983, at the de Young Museum, Golden Gate Park, San Francisco. In order to perform this task, the Black Arts Movement proposes a radical reordering of … This fall, the de Young museum is hosting the internationally acclaimed exhibition, Soul of a Nation: Art in the Age of Black Power, which was organized by the Tate Modern in London. Soul of a Nation: Art in the Age of Black Power 1963–1983 celebrates art made by Black artists during two pivotal decades when issues of race and identity dominated and … Soul of a Nation: Art in the Age of Black Power Featuring substantial essays from Mark Godfrey and Zoe Whitley, the catalogue explores the art-historical and social contexts with subjects ranging from black feminism, AfriCOBRA and other artist-run groups to the role of museums in the debates of the period and visual art’s relation to the Black Arts Movement. … The internationally acclaimed exhibition Soul of a Nation: Art in the Age of Black Power 1963–1983 travels to San Francisco, celebrating works by Black artists created during two pivotal decades in American history. As such, it envisions an art that speaks directly to the needs and aspirations of Black America. This powerful and provocative presentation focuses on the pivotal decades between 1963 and 1983, when conversations about race and identity defined national politics and social ideals. Don’t miss this. Don’t miss this. Discount is redeemable on-site only. Soul of a Nation: Art in the Age of Black Power February 3 - April 23, 2018. Soul Of A Nation: Art in the Age of Black Power - @ SF de Young - Don't Miss It! The artist’s name is Betye Saar. Soul of a Nation “T his movement is the aesthetic and spiritual sister of the Black Power . Featuring the work of 60 artists and including vibrant paintings, powerful sculptures, street photography, murals, and more, this landmark exhibition is a rare opportunity to see … “Soul of a Nation” opens with art from the Spiral group, a collective of New York African-American artists who organized in 1963 and exhibited work in 1965 that was solely in black and white. “Soul of a Nation” at SF’s de Young Museum serves up powerful look at “The Art of Black Power.” concept. dailykos.com - pixxer. The exhibition—organized by Tate Modern, London—examines the very purpose of art and the role of artists in society. A review of the San Francisco exhibit “Soul of a Nation: The Art of Black Power,” published Nov. 20, misspelled the name of an artist represented in the show. There are other striking images in the show, but none so soundly delivers the implicit argument of “Soul of a Nation”: that African American art has, and always had, a significance apart from any meaning the so-called mainstream white culture might have designed for it.